{"id":596,"date":"2014-12-18T22:44:49","date_gmt":"2014-12-18T22:44:49","guid":{"rendered":"http:\/\/www.amaliachueca.com\/?page_id=596"},"modified":"2020-11-18T21:53:48","modified_gmt":"2020-11-18T21:53:48","slug":"sense-of-values-quartet-3","status":"publish","type":"page","link":"http:\/\/www.amaliachueca.com\/?page_id=596","title":{"rendered":"Formaciones mus."},"content":{"rendered":"

SENSE OF VALUES QUARTET<\/span><\/strong><\/p>\n

\"\"<\/a><\/p>\n

Amalia Chueca_VIOLONCHELO<\/p>\n

Jos\u00e9 Ignacio Hern\u00e1ndez_PIANO<\/p>\n

Miguel \u00c1ngel Pimentel_CONTRABAJO<\/p>\n

Julio P\u00e9rez_PERCUSION<\/p>\n

S.O.V. nos muestra un repertorio personal, adem\u00e1s de pasear por el cancionero popular americano desde una \u00edntima perspectiva.\u00a0<\/strong>Pretende evocar un nuevo universo apoyado en los standard cl\u00e1sicos y m\u00e1s modernos de dicho cancionero\u00a0en un amplio abanico que abarca desde el Swing al Free pasando por el Bebop o el Jazz modal.<\/p>\n

Teniendo el grupo aproximadamente\u00a0un a\u00f1o de vigencia, ha tocado en diversos locales de la geograf\u00eda espa\u00f1ola, tras la experiencia mantenida por sus miembros en Nueva York, ciudad en la que todos ellos estuvieron experimentando y tocando.<\/p>\n

Fruto del amaderado y c\u00e1lido sonido del chelo y de un cl\u00e1sico tr\u00edo de jazz -piano, contrabajo y bater\u00eda- aparece Sense of Values.<\/strong>\u00a0S.O.V. busca crear atmosferas y sonoridades desde el pulso, la contundencia, construyendo e interpretando armon\u00edas donde la improvisaci\u00f3n es el denominador com\u00fan. Todo ello partiendo de sonidos ac\u00fasticos, cl\u00e1sicos de alguna manera y yendo a rincones hasta donde la imaginaci\u00f3n del oyente le lleve.<\/p>\n

Aportando tambi\u00e9n las composiciones del pianista Jose Ignacio Hern\u00e1ndez, Sense of Values est\u00e1 formado adem\u00e1s por el contrabajista Miguel \u00a1gel Pimentel, el bater\u00eda Julio P\u00e9rez \u00a0junto a la chelista Amalia Chueca.\u00a0La formaci\u00f3n del grupo es versatil. Aunque todos se mueven en el terreno del Jazz,\u00a0tambi\u00e9n exploran o exploraron otros campos como el acompanamiento de cine mudo en el caso de Jos\u00e9 Ignacio, la m\u00fasica Ar\u00e1bigo- Andalus\u00ed o el Flamenco en Miguel \u00c1ngel o la m\u00fasica cl\u00e1sica y contempor\u00e1nea por parte de Amalia. Julio P\u00e9rez toca un amplio elenco de estilos tras una dilatada carrera profesional.<\/p>\n

A trav\u00e9s del nuevo disco\u00a0Atmosphere<\/em>, Sense of Values toca obras de artistas consagrados como Monk o McCoy, standards cl\u00e1sicos y repertorio personal.\u00a0<\/strong>Este disco se grab\u00f3 el 2, 3 y 4 de Enero del 2013 en Granada. Fue mezclado y martirizado entre Enero y Febrero del 2013 gracias al ingeniero de sonido Fernando Romero en F.J.R. Estudios de Grabaci\u00f3n.<\/p>\n

Con\u00a0Sense of Values Quartet<\/strong>\u00a0en el proyecto\u00a0Atmosphere<\/em>. 2013<\/p>\n


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SENSE OF VALUES QUARTET\u00a0\u00abATMOSPHERES\u00bb.\u00a0Grabado el 2,3 y 4 de Enero del 2013. Mezclado y masterizado entre Enero y Febrero del 2013 en FJR Estudios de Grabaci\u00f3n (Granada).<\/strong><\/p>\n

1. In the C atmosphere (Jos\u00e9 Ignacio Hern\u00e1ndez)<\/p>\n

2. 4 muleros (Popular)<\/p>\n

3. Song for my lady (McCoy Tyner)<\/p>\n

4. You and the night and the music (Arthur Schwartz)<\/p>\n

5. Hackensack (Thelonious Monk)<\/p>\n

6. Jaleo (Popular)<\/p>\n

7. Vous dit (Jos\u00e9 Ignacio Hern\u00e1ndez)<\/p>\n

8. Pinocchio (Wayne Shorter)<\/p>\n

9. Stormy weather (Harold Arlen)<\/p>\n

10. You go to my head (J.Fred Coots)<\/p>\n

\"\"<\/a>
\n<\/a>The quartet Sense of Values was born with the idea of widening the Jazz sphere to include new groups with unconventional Jazz instruments like the cello and other strings, be them bowed, plucked, or struck.\u00a0<\/strong><\/p>\n

They aim to evoke a new era of Jazz combining classical elements with popular contemporary American music.\u00a0This wide range of styles is compromised of everything from Swing to Free to Bebop to Modal jazz.<\/strong>\u00a0<\/strong>Playing for a year, the band has played in many places in Spain, after their experience in New York, playing and having many experiences.<\/p>\n

Sense of Values is a versatile grouped formed by double bassist Miguel \u00c1ngel Pimentel, cellist Amalia Chueca, Julio P\u00e9rez with the drums and playing to compositions of pianist Jose Ignacio Hern\u00e1ndez.\u00a0<\/strong>Together they strive to create a platform where all styles of improvisation are accepted.
\nAlthough all of its musicians work within the domain of Jazz, they all explore or have explored subgenres of music like Silent movie accompaniment in the case of Jos\u00e9 Ignacio,\u00a0Flamenco in the case of Miguel \u00c1ngel and classical and contemporary for Amalia Chueca. Julio P\u00e9rez has been playing a wide range of improvisation styles.<\/p>\n

Working together for a year, Sense of Values has played in many venues throughout Spain.\u00a0In its search for musical enrichment, Sense of Values remains open to all sorts of musical genres, looking for new and coloristic sounds.<\/p>\n

Recently, they have a new cd, Atmosphere.\u00a0We can listen to Monk and McCoy songs, classic standards and personal repertoire.<\/strong>\u00a0It was record in 2013 on January in Granada. It was mixed between January and February in F.J.R. Studio recording with Fernando Romero.<\/p>\n

AMALIA CHUECA DUO<\/span><\/strong><\/p>\n

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AMALIA CHUECA D\u00daO SON:<\/strong><\/p>\n

Amalia Chueca<\/strong><\/p>\n

Jos\u00e9 Ignacio Hern\u00e1ndez<\/strong><\/p>\n

A trav\u00e9s de la exploraci\u00f3n de la historia del Jazz\u00a0teniendo como punto de partida\u00a0 las baladas, Amalia Chueca\u00a0y Jos\u00e9 Ignacio Hern\u00e1ndez \u00a0pretenden evocar un mundo de armon\u00edas y colores que reflejen la tristeza, la nostalgia o por qu\u00e9 no, la alegr\u00eda contenida de melod\u00edas bellas, quietas, calmadas que inducen a pensar o meditar sobre el pasado, el presente y el futuro. El repertorio nos lleva desde Ellington hasta Shorter, pasando por m\u00fasicos de la talla de Monk, J. Fred Coots u otros.<\/p>\n

\"\"<\/a>
\n<\/a>Through the\u00a0reconnaissance of the jazz world and having as a point of view the ballads, Amalia Chueca and Jos\u00e9 Ignacio Hern\u00e1ndez try to evoke a whole word of armonies and colors that reflect\u00a0 sadness, nostalgia and why not, the happiness. They comes through beautiful, quiet, calm melodies that encourage to think about the past, the present or the future. The repertoire goes from Ellington to Shorter, Monk or J. Fred Coots and so on.<\/p>\n

Watch the video\u00a0Amalia Chueca Duet\u00a0in Audio and video<\/p>\n

JOHN EHLIS QUARTET<\/span><\/strong><\/p>\n

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JOHN EHLIS QUARTET<\/p>\n

Eloisa Manera (violin)<\/p>\n

Amalia Lopez Chueca (cello)<\/p>\n

John Ehlis (guitar\/mandolin)<\/p>\n

Chris White III (percussion)<\/p>\n

Estos curiosos artistas poseen una facilidad natural tocando juntos. Viajando en terrenos originales, forman un grupo que producen una considerable impresi\u00f3n.<\/strong>Unidos por un amplio abanico de intereses, estos esp\u00edritus amables crean un sonido fresco sin imitaciones. Es electrizante, la instrumentaci\u00f3n es \u00fanica, rica y plena, y la m\u00fasica va desde simples melod\u00edas a las \u00e1reas de sonido de los instrumentos menos definidas. La orquesta de las sesiones en el Stone de Karl Berger en el verano del 2011 aportaron un terreno de conocimiento para muchos m\u00fasicos, incluyendo\u00a0a Manera, Chueca y Ehlis. Este cuarteto\u00a0surgi\u00f3 de los conciertos \/sesiones de m\u00fasica del Stone y en otros sitios ese verano y durante el verano del 2012.<\/p>\n

Asentada en Mil\u00e1n, Italia, la violinista\u00a0Eloisa Manera<\/strong>, aparece en una \u00e1mplia variedad de acontecimientos musicales. De herencia italiana y espa\u00f1ola, esta siempre expandiendo sus talento para ganar en dominio de una variedad de estilos, culturas y disciplinas, tanto en formatos tradicionales como modernos. Este resurgir de su esp\u00edritu creativo ha ocurrido en a\u00f1os reciente y es un resultado directo de su b\u00fasqueda y descubrimientos\u00a0 en la improvisaci\u00f3n, sobre todo en el idioma jazz\u00edstico.<\/p>\n

La chelista Amalia Chueca<\/strong>, de Granada, Espa\u00f1a, ha tocado con varias orquestas y cuartetos cl\u00e1sicos a trav\u00e9s de Espa\u00f1a y Europa. Igualmente versada en m\u00fasica cl\u00e1sica e improvisada, ha interpretado en Europa en numerosas actuaciones. Es un miembro de la Dubidubi Band dirigida por el saxofonista Paul Stocker y del tr\u00edo de Jazz \u00abSense of Values\u00bb junto al pianista Jos\u00e9 Ignacio Hern\u00e1ndez, el contrabajista Miguel \u00c1ngel Pimentel y el bater\u00eda Julio P\u00e9rez. Su estilo es definido por la fusi\u00f3n del Flamenco y las traciones de Jazz y latinas.<\/p>\n

John Ehlis<\/strong>\u00a0es un guitarrista, multi-instrumentista, compositor y lider de la formaci\u00f3n de John Ehlis. Originario de California pero residente actualmente en la costa Este, el trae la profundidad de esp\u00edritu a sus empresas musicales con composiciones originales atrayentes y\u00a0de gran inventiva.<\/p>\n

Desde la grandiosa\u00a0ciudad de Nueva York,\u00a0Chris White III<\/strong>\u00a0es un percusionista,\u00a0bailar\u00edn, profesor, artista y m\u00fasico de danza moderna, que ha interpretado con Q-Tip\u00a0( A Tribe Called Quest), Yasiin Bey aka Mos Def, el bailar\u00edn de tap d Maurice Chesnut, e percusionista Rudy Walker y su padre, el bajista Chris White. El aparece en la grabaci\u00f3n \u00a8Jungli\u00a8de Tasneem Nanji, \u00a8The War in Me\u00a8<\/p>\n

These curious artists possess a natural ease of playing together.\u00a0 Travelling in the fields of originality, they form a group which makes a remarkable impression.<\/p>\n

Joined together by wide range of interests, these kindred spirits create a fresh sound without mimicking styles. This group is electrifying, the instrumentation is unique, rich and full, and the music ranges from simple melodies to the less charted sonic areas of the instruments.<\/p>\n

Karl Berger\u2019s Stone Workshop Orchestra in the summer of 2011 provided a meeting ground for many musicians, including Manera, Chueca and Ehlis.\u00a0 This Quartet grew out of the music sessions\/concerts held at the Stone and elsewhere that summer and during the summer of 2012.<\/p>\n

Based in Milan, Italy, violinist\u00a0Eloisa Manera<\/strong>, appears in a wide array of musical environments.\u00a0 Of Italian and Spanish heritage, she is ever expanding her talents to gain command of a variety of styles, cultures and disciplines, both in traditional and modern formats.\u00a0 This blossoming of her creative spirit has occurred in recent years and is a direct result of her pursuit and discoveries in improvisation, primarily within the jazz idiom.<\/p>\n

Cellist\u00a0Amalia Chueca<\/strong>,\u00a0from Granada, Spain, has played with several classical orchestras and quartets throughout Spain and Europe.\u00a0 Equally versed in both classical and improvised music, she has performed across Europe in numerous settings.\u00a0 She is a member of saxophonist Paul Stockers\u2019 \u201cDubidubi Band\u201d and the jazz trio, \u201cSense of Values\u201d along with pianist Jos\u00e9 Ignacio Hern\u00e1ndez, bassist Miguel \u00c1ngel Pimentel and percussionist Julio P\u00e9rez .\u00a0 Her style is defined by the merging of Flamenco, Latin and Jazz traditions.<\/p>\n

John Ehlis<\/strong>\u00a0is a guitarist, multi-instrumentalist, composer and leader of the John Ehlis Ensemble.\u00a0 Originally from California, but currently on the East Coast, he brings a depth of spirit to his musical endeavors with original compositions that are both appealing and inventive.<\/p>\n

From the greater New York City region,\u00a0Chris White III<\/strong>\u00a0is a percussionist, dancer, teacher, artist, and modern dance musician, who has performed with Q-Tip (A Tribe Called Quest), Yasiin Bey aka Mos Def, tap dancer Maurice Chestnut, drummer Rudy Walker and his father, bassist Chris White.\u00a0 He appears on Tasneem Nanji\u2019s \u201cJungli\u201d EP recording, \u201cThe War In Me\u201d.<\/p>\n

KARL BERGER’S STONE WORKSHOP ORCHESTRA<\/span><\/strong><\/p>\n

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\n<\/a><\/p>\n

Amalia ha colaborado en la orquesta de Karl Berger en el Stone de Nueva York (V\u00e9ase video)<\/p>\n

Amalia has played with karl Berger`s Stone Workshop Orchestra (Watch the video)<\/p>\n

AMALIA CHUECA EN SOLITARIO<\/span><\/strong>\"\"<\/p>\n

Ha compuesto un ciclo de composiciones basadas en estados atmosf\u00e9ricos, ambientales o emocionales inspirados en im\u00e1genes, sonidos o ideas. Parte de ellos son presentados sobre imagen aunque todos tienen un car\u00e1cter claramente descriptivo.Para su composici\u00f3n utiliz\u00f3 sonidos electr\u00f3nicos, pregrabados y otros ac\u00fasticos como su voz y el violonchelo, as\u00ed como la participaci\u00f3n de m\u00fasicos como el pianista Jose Ignacio Hern\u00e1ndez.<\/p>\n

Los temas\u00a0 tienen t\u00edtulos muy descriptivos, expresando pensamientos, sentimientos y sensaciones, ayudados por sonidos pregrabados que ayudan a la ambientaci\u00f3n como el sonido del aire y el canto \u00e1rabe en\u00a0 Aire, la tormenta o el murmullo de gente charlando en Pregunta incuestionable, el agua en Realidad: Paraiso o Infierno, el sonido de un electrocardiograma en Jacaranda o la muerte, etc.\u00a0\u00a0Otras como La danza de Mesalina (de corte dodecaf\u00f3nico) o Intromisi\u00f3n (politonal) experimentan en distintas t\u00e9cnicas compositivas.<\/p>\n

V\u00e9ase el video\u00a0Agua<\/em><\/strong>\u00a0en\u00a0Audio y video.<\/em><\/p>\n

She has composed \u00a0a group of compositions based in weather, feelings or atmospheres that are inspired in images, sounds or ideas. Some of them are arranged with images although all of them are very descriptive. In order to compose them, she used electronic and acoustic sounds recorded as her voice or cello sound. She invited different musicians to play. An example is Jos\u00e9 Ignacio Hern\u00e1ndez with the piano.<\/p>\n

The names of the songs are very descriptive, as I said before, related to several feelings, emotions or thoughts. For instance, you can hear arabic singers in Air or storms, people chatting in The Unanswered questions, water sound in Reality: Paradise of \u00a0Hell, the electrocardiogram sound in Jacaranda or the dead and so on. Others like The Mesaline dance (dodecaphonic song) or Interference (polytonal) experiment different compositive styles.<\/p>\n

Watch the video\u00a0Agua<\/strong>\u00a0in Audio and video<\/em><\/p>\n

<\/div>\n

\u00a0DUBI DUBI BAND<\/span><\/strong><\/p>\n

\"\"<\/a><\/p>\n

En este segundo trabajo discogr\u00e1fico, la Dubi Dubi Band hace un recorrido por diversos lugares del planeta, interpretando e inspir\u00e1ndose en m\u00fasicas folcl\u00f3ricas de Africa, Am\u00e9rica y Medio Oriente.<\/p>\n

Bajo la peculiar direcci\u00f3n de Paul Stocker, esta gran orquesta creativa mixta, con voz, cuerdas, vientos y secci\u00f3n r\u00edtmica, siempre ha dado, en sus 9 a\u00f1os de vida, una gran importancia a la improvisaci\u00f3n y la espontaneidad. \u00c9sto hace que cada concierto sea diferente y sorprendente incluso para sus propios integrantes. El t\u00edtulo del nuevo disco, \u201cLejos\u201d, refleja el largo camino que ha recorrido hasta la fecha, as\u00ed como el trayecto a seguir y a donde quieren llegar.<\/p>\n

With two recordings, the Dubidubiband plays music from different places of the world, playing and inspiring in folk music from Africa, America and the East.<\/p>\n

Under Paul Stocker, the leader, this big orchestra with voice, strings, winds and rhythmic section, has always focused in \u00a0nine years in the improvisation and spontaneity. Because of this, each concert is different and amazing including their own musicians. In the second recording, \u00abFar\u00bb, it shows it improvement.<\/p>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

SENSE OF VALUES QUARTET Amalia Chueca_VIOLONCHELO Jos\u00e9 Ignacio Hern\u00e1ndez_PIANO Miguel \u00c1ngel Pimentel_CONTRABAJO Julio P\u00e9rez_PERCUSION S.O.V. nos muestra un repertorio personal, adem\u00e1s de pasear por el cancionero popular americano desde una \u00edntima perspectiva.\u00a0Pretende evocar un nuevo universo apoyado en los standard … Sigue leyendo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=\/wp\/v2\/pages\/596"}],"collection":[{"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=596"}],"version-history":[{"count":6,"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=\/wp\/v2\/pages\/596\/revisions"}],"predecessor-version":[{"id":603,"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=\/wp\/v2\/pages\/596\/revisions\/603"}],"wp:attachment":[{"href":"http:\/\/www.amaliachueca.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=596"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}